Parchikov works with photography. His works stand out due to the influence of his education in the cinematography department at VGIK, cinematic elements, and a cinephile aesthetic.
Tim Parchikov's solo exhibitions have been held in Rome, Madrid, Paris, Cologne, St. Petersburg, and Moscow.
He participated in the Venice Biennale (2011), the Thessaloniki Photo Biennale (2014), and the Lianzhou Photo Festival (2016). His works are regularly exhibited at prestigious art fairs such as Art Basel, Frieze, ARCO, Paris Photo, ARCOlisboa, Art Geneva, Cosmoscow.
The artist's works are held in the collections of the Maison Européenne de la Photographie (Paris), the Mead Art Museum, the Caixa Art Collection, the Museo de Bellas Artes de Bilbao (Bilbao), the Centro Atlántico de Arte Moderno (Las Palmas), the State Tretyakov Gallery (Moscow), the Moscow Museum of Modern Art (Moscow), and the Multimedia Art Museum (Moscow).
From the Dead Time project
C-Print mounted to Dibond, white bright oak wooden frame
Edition: 7+ 2 A.P.
variable dimensions
From the Unreal Venice project
C-Print mounted to Dibond, white bright oak wooden frame
Edition: 7+ 2 A.P.
variable dimensions
From the Suspense project
C-Print mounted to plexiglass, black Safebox
Edition: 5 + 1 A.P.
variable dimensions
From the Color Matrix.Unreal Venice project
C-Print mounted to plexiglass, thin black aluminum frame.
Edition: 7+ 2 A.P.
variable dimensions
From the Dead Time project
C-Print mounted to plexiglass, black Safebox
Edition: 7+ 2 A.P.
variable dimensions
From the Color Matrix.Unreal Venice project
C-Print mounted to plexiglass, thin black aluminum frame.
Edition: 7+ 2 A.P.
variable dimensions
From the Color Matrix.Unreal Venice project
C-Print mounted to plexiglass, thin black aluminum frame.
Edition: 7+ 2 A.P.
variable dimensions
Tim Parchikov
Napoli. 50 Cent. 2007 (Printed in 2021)From the Suspense project
C-Print mounted to plexiglass, black Safebox
Edition 7/7+ 1 A.P.
80/120 cm
Primarily working within the medium of photography, Parchikov infuses his images with a distinct cinematic sensibility and a cinephilic aesthetic—a direct evolution of his background in cinematography at the legendary VGIK (Gerasimov Institute of Cinematography).
His work has been showcased in major solo exhibitions across Rome, Madrid, Paris, Cologne, St. Petersburg, and Moscow. On the international stage, Parchikov has participated in the Venice Biennale (2011), the Thessaloniki Biennale of Photography (2014), and the Lianzhou Photography Festival (2016), with his pieces regularly featured at prestigious art fairs including Art Basel, Frieze, and ARCO.
Tim Parchikov
Israel Dead Sea 2013 (Printed in 2021)From the Dead Time project
C-Print mounted to plexiglass, black Safebox
Edition 3/5+ 1 A.P.
80/120 cm
Primarily working within the medium of photography, Parchikov infuses his images with a distinct cinematic sensibility and a cinephilic aesthetic—a direct evolution of his background in cinematography at the legendary VGIK (Gerasimov Institute of Cinematography).
His work has been showcased in major solo exhibitions across Rome, Madrid, Paris, Cologne, St. Petersburg, and Moscow. On the international stage, Parchikov has participated in the Venice Biennale (2011), the Thessaloniki Biennale of Photography (2014), and the Lianzhou Photography Festival (2016), with his pieces regularly featured at prestigious art fairs including Art Basel, Frieze, and ARCO.
Tim Parchikov
Israel Dead Sea 2013 (Printed in 2021)From the Dead Time project
C-Print mounted to plexiglass, black Safebox
Edition 2/5+ 1 A.P.
120/180 cm
Primarily working within the medium of photography, Parchikov infuses his images with a distinct cinematic sensibility and a cinephilic aesthetic—a direct evolution of his background in cinematography at the legendary VGIK (Gerasimov Institute of Cinematography).
His work has been showcased in major solo exhibitions across Rome, Madrid, Paris, Cologne, St. Petersburg, and Moscow. On the international stage, Parchikov has participated in the Venice Biennale (2011), the Thessaloniki Biennale of Photography (2014), and the Lianzhou Photography Festival (2016), with his pieces regularly featured at prestigious art fairs including Art Basel, Frieze, and ARCO.
Tim Parshchikov
Venice Burano 2011. Из серии «Color Matrix. Unreal Venice»
C-Print mounted to plexiglass, thin black
aluminum frame. Edition 6/7+ 2 A.P.
120/180 cм
Primarily working within the medium of photography, Parchikov infuses his images with a distinct cinematic sensibility and a cinephilic aesthetic—a direct evolution of his background in cinematography at the legendary VGIK (Gerasimov Institute of Cinematography).
His work has been showcased in major solo exhibitions across Rome, Madrid, Paris, Cologne, St. Petersburg, and Moscow. On the international stage, Parchikov has participated in the Venice Biennale (2011), the Thessaloniki Biennale of Photography (2014), and the Lianzhou Photography Festival (2016), with his pieces regularly featured at prestigious art fairs including Art Basel, Frieze, and ARCO.
Tim Parshchikov
Venice. Burano, 2011
From the Unreal Venice project
C-Print mounted to Dibond, white bright oak wooden frame
Edition: 7+ 2 A.P.
120 х 80 cm
Primarily working within the medium of photography, Parchikov infuses his images with a distinct cinematic sensibility and a cinephilic aesthetic—a direct evolution of his background in cinematography at the legendary VGIK (Gerasimov Institute of Cinematography).
His work has been showcased in major solo exhibitions across Rome, Madrid, Paris, Cologne, St. Petersburg, and Moscow. On the international stage, Parchikov has participated in the Venice Biennale (2011), the Thessaloniki Biennale of Photography (2014), and the Lianzhou Photography Festival (2016), with his pieces regularly featured at prestigious art fairs including Art Basel, Frieze, and ARCO.
Venice. Burano, 2025
From the Color Matrix.Unreal Venice project
C-Print mounted to plexiglass, thin black aluminum frame.
Edition: 7+ 2 A.P.
90 х 60 cm
Primarily working within the medium of photography, Parchikov infuses his images with a distinct cinematic sensibility and a cinephilic aesthetic—a direct evolution of his background in cinematography at the legendary VGIK (Gerasimov Institute of Cinematography).
His work has been showcased in major solo exhibitions across Rome, Madrid, Paris, Cologne, St. Petersburg, and Moscow. On the international stage, Parchikov has participated in the Venice Biennale (2011), the Thessaloniki Biennale of Photography (2014), and the Lianzhou Photography Festival (2016), with his pieces regularly featured at prestigious art fairs including Art Basel, Frieze, and ARCO.
Venice. Burano, 2025
From the Color Matrix.Unreal Venice project
C-Print mounted to plexiglass, thin black aluminum frame.
Edition: 7+ 2 A.P.
90 х 67.5 cm
Primarily working within the medium of photography, Parchikov infuses his images with a distinct cinematic sensibility and a cinephilic aesthetic—a direct evolution of his background in cinematography at the legendary VGIK (Gerasimov Institute of Cinematography).
His work has been showcased in major solo exhibitions across Rome, Madrid, Paris, Cologne, St. Petersburg, and Moscow. On the international stage, Parchikov has participated in the Venice Biennale (2011), the Thessaloniki Biennale of Photography (2014), and the Lianzhou Photography Festival (2016), with his pieces regularly featured at prestigious art fairs including Art Basel, Frieze, and ARCO.